{"id":1658,"date":"2025-05-21T21:53:36","date_gmt":"2025-05-21T20:53:36","guid":{"rendered":"https:\/\/www.zdenek-lhotsky.com\/?page_id=1658"},"modified":"2025-05-30T16:59:56","modified_gmt":"2025-05-30T15:59:56","slug":"staromestska-brana-hotel-fairmont-golden-prague","status":"publish","type":"page","link":"https:\/\/www.zdenek-lhotsky.com\/en\/staromestska-brana-hotel-fairmont-golden-prague\/","title":{"rendered":"Starom\u011bstsk\u00e1 br\u00e1na, Fairmont Golden Prague Hotel"},"content":{"rendered":"<p><div class=\"box-layout-wrapper\"><\/p>\n<p><div class=\"box-layout-cell\">ngg_shortcode_1_placeholder\n<\/div><br \/>\n<div class=\"box-layout-cell\"><p>\nArchitectural studio: <strong>TaK Architects<\/strong><br \/>\nLead Architect: <strong>Marek Tich\u00fd<\/strong><br \/>\nGlass panels: <strong>Zden\u011bk Lhotsk\u00fd<\/strong><\/p>\n<table class=\"noborder\">\n<tbody>\n<tr>\n<td>In collaboration with:<\/td>\n<td><strong>OGB s.r.o.<\/strong> &#8211; vrstven\u00e9 sklo a instalace<\/td>\n<\/tr>\n<tr>\n<td>&nbsp;<\/td>\n<td><strong>Sklo Such\u00e1nek<\/strong> &#8211; lept skla<\/td>\n<\/tr>\n<tr>\n<td>&nbsp;<\/td>\n<td><strong>SOLLUS N\u00c1BYTEK s.r.o.<\/strong> &#8211; v\u00fdroba konstrukce a mosazn\u00fdch obklad\u016f<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table class=\"noborder\">\n<tbody>\n<tr>\n<td>Photography:<\/td>\n<td>Vladim\u00edr Kiva Novotn\u00fd (<a href=\"https:\/\/kiva.cz\/\">https:\/\/kiva.cz\/<\/a>)<\/td>\n<\/tr>\n<tr>\n<td>&nbsp;<\/td>\n<td>Vojt\u011bch Ve\u0161krna (<a href=\"https:\/\/www.veskrna.cz\/\">https:\/\/www.veskrna.cz\/<\/a>)<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>In collaboration with <strong>TaK Architects<\/strong> and lead architect <strong>Marek Tich\u00fd<\/strong>, <strong>Zden\u011bk Lhotsk\u00fd<\/strong>, founder and leader of <strong>Studio Lhotsk\u00fd<\/strong>, has created a striking series of vertical glass panels for the new Fairmont Golden Prague Hotel. These works, combining revived acid-etching techniques with contemporary polymerized ornamentation, represent a seamless blend of tradition, innovation, and architectural dialogue.<\/p>\n<p>Spanning the ground floor of the hotel lobby and the elevator lobby on the hotel floors, including three elevators, and extending to large-scale glass sculptures on the fa\u00e7ades facing Pa\u0159\u00ed\u017esk\u00e1 Streetand Milo\u0161 Forman Square\u2014the installation showcases the Czech Republic\u2019s world-class craftsmanship in glassmaking. The result is an immersive artistic experience that enhances the hotel\u2019s identity and invites guests to engage with the space in a unique and memorable way.<\/p>\n<\/div><\/p>\n<p>\n<\/div><\/p>\n<div class=\"box-layout-wrapper\"><\/p>\n<div class=\"box-layout-cell\"><\/p>\n<p>\n<\/div>\n<div class=\"box-layout-cell layout-3\"><\/p>\n<h2><b>Read the full interview with Zden\u011bk Lhotsk\u00fd to discover the creative process behind this project.<\/b><\/h2>\n<p>\n<\/div>\n<p>\n<\/div>\n<div class=\"box-layout-wrapper\"><p><div class=\"box-layout-wrapper\"><\/div><br \/>\n<div class=\"box-layout-cell\"><p>\n<a class=\"ngg-fancybox\" title=\"https:\/\/kiva.cz\/\" href=\"https:\/\/www.zdenek-lhotsky.com\/content\/gallery\/staromestska-brana-hotel-fairmont-golden-prague\/TAK-Fairmont-KIVA-13.jpg\" rel=\"\" data-image-id=\"511\" data-src=\"https:\/\/www.zdenek-lhotsky.com\/content\/gallery\/staromestska-brana-hotel-fairmont-golden-prague\/TAK-Fairmont-KIVA-13.jpg\" data-thumbnail=\"https:\/\/www.zdenek-lhotsky.com\/content\/gallery\/staromestska-brana-hotel-fairmont-golden-prague\/thumbs\/thumbs_TAK-Fairmont-KIVA-13.jpg\" data-title=\"KIVA\" data-description=\"https:\/\/kiva.cz\/\"><img decoding=\"async\" class=\"ngg-singlepic ngg-none\" src=\"https:\/\/www.zdenek-lhotsky.com\/content\/gallery\/staromestska-brana-hotel-fairmont-golden-prague\/TAK-Fairmont-KIVA-13.jpg\" alt=\"KIVA\"><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a class=\"ngg-fancybox\" title=\"https:\/\/www.veskrna.cz\/\" href=\"https:\/\/www.zdenek-lhotsky.com\/content\/gallery\/staromestska-brana-hotel-fairmont-golden-prague\/VESKRNA_2347.jpg\" rel=\"\" data-image-id=\"506\" data-src=\"https:\/\/www.zdenek-lhotsky.com\/content\/gallery\/staromestska-brana-hotel-fairmont-golden-prague\/VESKRNA_2347.jpg\" data-thumbnail=\"https:\/\/www.zdenek-lhotsky.com\/content\/gallery\/staromestska-brana-hotel-fairmont-golden-prague\/thumbs\/thumbs_VESKRNA_2347.jpg\" data-title=\"Ve\u0161krna\" data-description=\"https:\/\/www.veskrna.cz\/\"><img decoding=\"async\" class=\"ngg-singlepic ngg-none\" src=\"https:\/\/www.zdenek-lhotsky.com\/content\/gallery\/staromestska-brana-hotel-fairmont-golden-prague\/VESKRNA_2347.jpg\" alt=\"Ve\u0161krna\"><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.zdenek-lhotsky.com\/content\/media\/2025\/05\/NIK_3207_web.jpg\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.zdenek-lhotsky.com\/content\/media\/2025\/05\/NIK_3207_web-819x1024.jpg\" alt=\"\" width=\"819\" height=\"1024\" class=\"alignnone size-large wp-image-1706\" srcset=\"https:\/\/www.zdenek-lhotsky.com\/content\/media\/2025\/05\/NIK_3207_web-819x1024.jpg 819w, https:\/\/www.zdenek-lhotsky.com\/content\/media\/2025\/05\/NIK_3207_web-240x300.jpg 240w, https:\/\/www.zdenek-lhotsky.com\/content\/media\/2025\/05\/NIK_3207_web-768x960.jpg 768w, https:\/\/www.zdenek-lhotsky.com\/content\/media\/2025\/05\/NIK_3207_web-1229x1536.jpg 1229w, https:\/\/www.zdenek-lhotsky.com\/content\/media\/2025\/05\/NIK_3207_web-1638x2048.jpg 1638w, https:\/\/www.zdenek-lhotsky.com\/content\/media\/2025\/05\/NIK_3207_web-600x750.jpg 600w, https:\/\/www.zdenek-lhotsky.com\/content\/media\/2025\/05\/NIK_3207_web.jpg 1760w\" sizes=\"auto, (max-width: 819px) 100vw, 819px\" \/><\/a><\/p>\n<\/div><br \/>\n<div class=\"box-layout-cell layout-3\"><\/p>\n<p><b>Can you tell us more about the works you are creating for the Fairmont Golden Prague Hotel and describe your creative process?<\/b><br \/>\nThere are essentially two entirely new approaches involved. The first uses the traditional technique of acid-etching glass, which was widely used in the second half of the twentieth century but had been almost forgotten for quite a while. What\u2019s new here is that the glass is assembled according to a designed template, etched, and finally laminated onto float glass\u2014this step is in response to safety regulations, which have become much stricter in recent years. The second method is quite similar in principle, but instead of etched glass, it uses ornamental glass, which creates a strong optical effect while preserving the subtlety of the glass panel.<\/p>\n<p><b>Did you encounter any specific technological challenges during the implementation of this project?<\/b><br \/>\nYes. As far as I know, neither of these approaches has been used in quite this way before, which posed a significant challenge\u2014both for me and my design process, as well as for the partners with whom I realized the works. That includes Ji\u0159\u00ed Such\u00e1nek and the company OGB, led by Mr. Rainer.<\/p>\n<p><b>How do you perceive the way your glass works communicate with the architecture of the hotel?<br \/>\n<\/b>The use of glass art in architecture has a long tradition\u2014not only here, but throughout the cultural world\u2014and there\u2019s an enormous number of works created in this context. That, in itself, is a great incentive to invent something new, and I think we\u2019ve succeeded in doing just that. If all goes well, this lays a solid foundation for developing both approaches further in the future. In this case, my works stand on the boundary between design and fine art, with individual pieces leaning more to one side or the other.<\/p>\n<p><b>How do you perceive the collaboration with Marek Tich\u00fd from TaK Architects on this project? Did his architectural approach influence your own creative decisions or process in any way?<br \/>\n<\/b>I view the collaboration with architect Marek Tich\u00fd as entirely positive. The architect of a building is essentially the director of the project\u2019s realization, and his opinion is absolutely key for me. That\u2019s one of the reasons I enjoy working within architecture\u2014because it ultimately comes down to a compromise, or a harmony of viewpoints. This creates the kind of creative tension that is necessary for producing something truly high-quality\u2014and hopefully timeless. Marek and I understood each other quite well, even when our ideas slightly diverged at the beginning. We found a way to reach a mutually acceptable solution together. From my perspective, the result is excellent.<\/p>\n<p><b>The project includes or will include works by other prominent Czech artists. What does it mean to you to be part of such a collectively oriented project? Do you see it as an opportunity for dialogue between different artistic approaches?<\/b><br \/>\nThe project will be full of artistic works and will undoubtedly become something truly exceptional. This was also true at the time the original hotel was built\u2014Hotel InterContinental featured works by many leading Czech artists. That\u2019s why this project was a major challenge for me, and being in partnership with works by such artists as <b>Stanislav Libensk\u00fd<\/b> and <b>Jaroslava Brychtov\u00e1<\/b> is a tremendous honor and responsibility.<\/p>\n<p><b>What would you like hotel visitors to take away from their encounter with your works?<\/b><br \/>\nI would like my works to enhance the stay of guests coming from all over the world and perhaps also to highlight that we have genuine expertise in working with glass\u2014and that we are worthy partners for similar artistic projects globally. A hotel is all about communication; it\u2019s a large organism, much like a ship. It\u2019s important to make guests feel comfortable, and perhaps even surprised or intrigued, so they feel good during their stay and have a reason to return\u2014maybe even because they saw interesting works of art here.<\/p>\n<p>\n<\/div><\/p>\n<p>\n<\/div><\/p>","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-project.php","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-1658","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.zdenek-lhotsky.com\/en\/wp-json\/wp\/v2\/pages\/1658","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.zdenek-lhotsky.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.zdenek-lhotsky.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.zdenek-lhotsky.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.zdenek-lhotsky.com\/en\/wp-json\/wp\/v2\/comments?post=1658"}],"version-history":[{"count":23,"href":"https:\/\/www.zdenek-lhotsky.com\/en\/wp-json\/wp\/v2\/pages\/1658\/revisions"}],"predecessor-version":[{"id":1707,"href":"https:\/\/www.zdenek-lhotsky.com\/en\/wp-json\/wp\/v2\/pages\/1658\/revisions\/1707"}],"wp:attachment":[{"href":"https:\/\/www.zdenek-lhotsky.com\/en\/wp-json\/wp\/v2\/media?parent=1658"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}